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I WAS AT HOME, BUT

ICH WAR ZUHAUSE, ABER

Fiction | 2019 | 105'
World Premiere at 69th Berlinale Competition 2019

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Crew

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Written and directed by Angela Schanelec

Cinematography Ivan Marković

Editing Angela Schanelec

Sound Design Rainer Gerlach

Sound Andreas Mücke-Niesytka

Production Design Reinhild Blaschke

Costumes Birgitt Kilian

Make-up Monika Münnich

Assistant Director Stefan Nickel

Casting Ulrike Müller

Producer Angela Schanelec

Executive Producer Jana Cisar

Co-producers Vladimir Vidic, Natasa Damnjanovic

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Cast

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Maren Eggert (Astrid)

Jakob Lassalle (Phillip)

Clara Möller (Flo)

Franz Rogowski (Lars)

Lilith Stangenberg (Claudia)

Alan Williams (Mr. Meissner)

Jirka Zett (Astrid's Boyfriend)

Dane Komljen (Young Director)

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Countries:

Germany, Serbia

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Supported by:

Film Center Serbia

Produced by

Nachmittagfilm Angela Schanelec

Berlin, Germany

nachmittagfilm@gmx.de

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World sales

Deutsche Kinemathek

Berlin, Germany

+49 30 30090331

filmverleih@deutsche-kinemathek.de

www.deutsche-kinemathek.de www.deutsche-kinemathek.de

Angela Schanelec

Born in the south of Germany in 1962, she studied acting in Frankfurt am Main followed by engagements at the Thalia Theater in Hamburg and the Schaubühne in Berlin. From 1990 to 1995 she studied directing at the German Film and Television Academy Berlin. She is professor of narrative film at the University of Fine Arts in Hamburg. Nachmittag (Afternoon) screened in the 2007 Berlinale Forum; her films have also screened at Cannes and Locarno.

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Filmography

1993 Ich bin den Sommer über in Berlin geblieben (I Stayed in Berlin All Summer) 1995 Das Glück meiner kleinen Schwester (My Sister's Good Fortune) 1998 Plätze in Städten (Places in Cities) 2001 Mein langsames Leben (Passing Summer) 2004 Marseille 2007 Nachmittag (Afternoon) 2009 Deutschland 09/Erster Tag; Short Film 2010 Orly 2014 The Bridges of Sarajevo/Princip Text; Short Film 2016 Der traumhafte Weg (The Dreamed Path) 2019 Ich war zuhause, aber (I Was at Home, But)

SYNOPSIS

A 13-year-old boy disappeared without trace for a week. The film begins with his reappearance in the school yard, dirty and changed. What he was looking for - an extreme closeness to nature or death, triggered by the recent loss of his father - his mother and teachers can only guess. The boy’s behaviour invalidates, what they have taken for granted until now.

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